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All festival details are available at the Heart of the City Festival website here

Wed. 28 October - Sun. 8 November 2009

Over 80 events at over 30 venues throughout the Downtown Eastside


I'm particularly drawn to the event on November 7th

Illuminating the Four Corners: an outdoor multi-level event at Main and Hastings featuring visual projections on buildings and through windows; DTES musicians and poets performing from windows, rooftops and soap boxes; a welcome song with Sam George; music of the DTES Samba Band; a theatrical reenactment of a 1935 milestone at the Carnegie Museum; songs from the Carnegie Village Choir Project led by Beverly Dobrinsky; ending with a street celebration on the four corners.

and from elsewhere on the site a different presentation of the themes and styles of this project......


ILLUMINATING THE FOUR CORNERS

Community Celebration
ILLUMINATING THE FOUR CORNERS
Saturday November 7, 8pm-9:30pm
Corner of Main and Hastings. Rain or shine

"We are here. We are here. We are here." Sandy Cameron

Carnegie&MosaicPhotoTerryHunter

Come on down and look around!  See our Four Corners illuminated like never before! This open-air multi-level evening opens with a welcome song from Squamish elder Sam George. You'll see images of the faces of Downtown Eastside community members projected onto buildings and through windows; buildings lit up with lights; musicians and poets performing from windows, balconies and soap boxes;  music of the Downtown Eastside Samba Band; a theatrical re-enactment (with members of the Carnegie Community Action Project) of the 1935 occupation by unemployed workers at the Carnegie Museum; neighbourhood banners by artist Diane Wood; Chinese lion dancers; songs from the Carnegie Village Choir Project led by Beverly Dobrinsky; ending with a street celebration on the four corners. Ohh...and did we say 'popcorn'?

We are here: to illuminate this corner - this neighbourhood - this community. We are here: standing proud and saying "This is who we are. This is our community, the heart of Vancouver."
Illuminating the Four Corners has been made possible with the support of the City of Vancouver Great Beginnings Program.

Free

ILLUMINATING THE FOUR CORNERS

Located on unceded Coast Salish land, the four corners at Hastings and Main have been home to Coast Salish people for thousands of years. For over a hundred years, it's been a gathering place for immigrants arriving from the four corners of the globe. Today it's the crossroads for residents of Gastown, the Main and Hastings corridors, Chinatown, Strathcona, Japantown (Powell Street) and the city of Vancouver.

People gather at the four corners to find lost friends, catch up on the news and connect with their community. In 1903, the Carnegie Public Library/Museum and City Hall stood at the corner and Hastings was packed with people, restaurants, nightclubs, hotels, rooming houses, bars, and coffee shops. It was Vancouver's most important social and commercial district. Tattoo artists worked in sidewalk kiosks, lady barbers set up on the street, hawkers sold miracle cures side by side with evangelists warning sinners to return to the fold before the end of the world.

During the economic depression of 1907 homeless people camped out on the False Creek flats and half the city's population turned up for an Asiatic Exclusion League parade to City Hall at the "four corners." Inflammatory speeches sent the crowd storming down Pender into Chinatown--breaking windows, looting, starting fires--then raced to Powell Street's "Little Tokyo" where they were stopped by armed resistance from the residents.

During the hard times of the 1930s, Hastings Street was the main thoroughfare for public demonstrations for "work and wages" and in 1935 unemployed men occupied Carnegie for a day. The streets were a neon-lit circus of activity lined with theatres, cafes, bars, gambling clubs and union offices.

Changes followed World War II that reverberate in our community to this day: from the tearing up of the BC Electric Railway and street car tracks to the closing of the Carnegie library and museum (it stood vacant for over a decade); from the loss of housing and jobs to the closure of the community's largest business, Woodward's. These kinds of losses tore holes in the community's heart.

But this is a neighbourhood that refuses to lie down. After a six-year fight, the City agreed to re-open the Carnegie Library as a Community Centre and as each new physical and social change arrives to strain our social fabric, new grassroots initiatives rise to meet the challenges with local solutions. With the Carnegie building's Centennial celebration in 2003, initiatives arose to celebrate the community as the original heart of Vancouver; showcase our community's talents and cultures with affordable safe events; and commemorate its achievements and losses, its heroes and stories.

Here - at the crossroads of Main and Hastings--in the words of poet and historian Sandy Cameron, "the citizens of Vancouver can take pride in the long history of the Downtown Eastside."

by Savannah Walling





Career Development Conference 2009 - Working Local ~ Shaping Global, March 3rd and 4th, 2009

Greetings if you have arrived here fresh from the CDC conference presentation this morning.

Thanks for all the input, encouragement and support.

Comments, links and ideas can be posted below using the (duh!) "Comments" section

Should this post be removed from the front page on future visits, use the search function to click on 'Employment Counselling' and you'll find it.

We could use this post a resource for ideas on changing the language of our business - several people asked afterwards how they could help with this - I think its one word and one form, brochure, manual at a time

And also use this post to assemble artists resources.

I provide images and notes with this proviso. Seeing and reading is not the same as attending and experiencing. A little like reading the menu, not eating the meal. So with a requisite pinch of salt.........

For an PDF file of the presentation 'That Shiny Red Bicycle - longing, desire and reward in work' click Shiny and Red.pdf

For an rtf file of notes to accompany the images click shinyrednotes.rtf

The url for the 'I like boxes' awfulness on You Tube is this:

http://www.youtube.com/watch?v=DVMi-8KKSpI

Julie Fowlis and her Gaelic version of Blackbird and much more is available here:

http://www.myspace.com/juliefowlis

There might also be an htm version of the presentation coming to open in any browser with notes but bl**dy Microsoft is failing to let you save it in anything but a version so called optimized for so called Internet so called Explorer.....

Check back at the weekend for a document with brief notes on each topic, should the htm version not materialize..........

Thanks again

Stephen

PS Excellent new social activism site is http://www.idealist.org/

scjh

Bailout Bitter - right in so many ways

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From the wonderfully current people at Howe Sound Brewery in Squamish, comes Bailout Bitter.

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'A bitter ale for bitter times.' The full spirit of this wondrously timed ironic creation is amplified in this press release from the company.

As long as we have our sense of humour intact we have a chance.

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'...with recession-fighting properties...'

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Ryan Larkin - posthumous 'Spare Change' a final tribute

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New short film features work by renowned animator Ryan Larkin

MONTREAL -- Laurie Gordon had originally wanted acclaimed National Film Board animator Ryan Larkin to contribute a few drawings to the music video for her rock band Chiwawa.

What she ended up with was a good friend and a six-minute film that showcases some of the last work by Larkin, who died of lung cancer last year.

"Spare Change" will screen in Vancouver, Toronto, Quebec City and Sherbrooke, Que., on Friday and also open the Focus section on Sunday at Montreal's Festival du Nouveau Cinema.

The film, which was completed by Gordon and a team of young animators after Larkin's death, is a poetic - and surreal - trip through Larkin's imagination.

"I think he would have hoped it would have been his first in a new series," Gordon said wistfully over coffee at Larkin's favourite bar, sitting next to his regular chair.

The drawings, which range from beautiful charcoal renderings to the cartoonish, tell the story of Astral Pan, a panhandler who takes the viewer from the wintry streets of Montreal to hell and back and up to the gates of heaven, where there's a meeting with St. Peter.

Chiwawa's song "Do It For Me" is featured in the movie.

Larkin's voice is also heard in the film and several of his own paintings and character drawings appear.

"I also got some circa-1967 stuff that came to me, magically - flip books that he did," Gordon says.

Gordon approached Larkin after seeing a news report which profiled him after personal problems put his flourishing filmmaking career into a 25-year stall.

Tapped by NFB legend Norman McLaren as a shining new talent, Larkin enjoyed a meteoric rise at the film board with his work in the 1960s, capping it off with an Oscar nomination in 1969 for his film "Walking."

He left the film board in 1978 and ended up bumming change on the street. But he gained new attention as the subject of the animated short "Ryan" directed by Chris Landreth, who won an Oscar for the movie in 2005.

Gordon said she approached Ryan in 2002 as he panhandled on St-Laurent Boulevard and pitched her idea. He was interested.

"I gave him some music and he chose a song and he started to make a few drawings," Gordon said. "Things were slow moving. There was no big rush."

Until one of Larkin's buddies pressed them.

"It's Ryan's time," Gordon says the fellow panhandler told them.

"That gave us both a rush and a push and we really started to seriously conceive and think and meet regularly on this yet-to-be-named film," says Gordon, who owns MusiVision, a film and music production company.

"One day Ryan called me up and said, 'I got the name, I got the name. It's 'Spare Change."'

That added another dimension to the film, Gordon says with a smile.

"We were sitting right over there," she says indicating a table in the bar, which has Larkin's picture on the wall. "He said to me, 'Now that we're making a movie together, we're going to need official titles. I'm the director and you're the producer'."

She made business cards.

"That was the beginning of hell and back but a good hell. It was a great ride for Ryan and I on many levels.

"It was wonderful. I really loved working with Ryan. I miss him a lot," she added, tears welling in her eyes.

She compared their friendship to that of a couple of mischievous teenagers and said a real connection developed. He was a diligent worker, she got the money together.

"He didn't boss people around," she said. "He didn't have time to boss people around."

The project took on added urgency when doctors discovered a small tumour on Larkin's lung in 2005. He was in generally good health aside from the tumour and Gordon got the impression he was comforted by the fact she had survived breast cancer.

Larkin came to live with Gordon and her husband in nearby St-Hyacinthe, Que., where he was cared for by them and her sister until he had to go into a hospice. He died a week later, just two hours after Gordon had left his bedside.

Larkin had been experiencing a comeback with the attention garnered by Landreth's film and had done some work for MTV. When "Spare Change" is shown at the Montreal Festival du Nouveau Cinema, it will open for Adrian Wills' "All Together Now."

That documentary tells the story behind the collaboration between the Beatles and Cirque du soleil that resulted in the creation and 2006 launch of the "Love" stage production which launched in 2006.

Gordon says the lyrical "Spare Change" is a fitting tribute to Larkin, who always insisted he didn't want to be remembered for his past.

"He was always looking to the future."

I don't know who Tom Sandborn is but this is so nicely done.

Motivation for an opera, a play, an installation? Anyone?

Tom Sandborn
Vancouver Courier

Friday, July 25, 2008

I have a file in my computer called "No Future for Satire." It is dedicated to news items that support my favourite literary theory, the proposition that satire is dead as a form of fiction in the 21st century. The basic assumption here is that it is impossible to make up anything as grotesque as the six o'clock news.

A little-noticed decision by city council last September is now a standout piece of evidence in that file. The folks we elected to conduct city business decided, in their infinite wisdom, to spend $5 million from the $20 million Olympics Legacy Fund on turning two downtown parking lots into enormous outdoor venues. Those of us who can't afford the pricey tickets for Olympic events can gather there and watch them on huge TV screens and enjoy live entertainment. Talk about pay per view!