May 2009 Archives

Respectful resume writing - reverse the process

We give resumes far too much power in the employment counselling business.

They are essential, but not important.

As well as giving them too much power we usually fail to take advantage of their creation or renovation to truly connect with their owner.

Here's the summary of the conventional approach to creating or renovating a resume:

Start at the top, name, address, form filling personal information

Begin changing formatting at the same time as modifying content - like painting walls that are still being built

First creative writing task is 'Highlights'

Highlights come from activities involved in past work, but we haven't got there yet, so we throw in the generic crap about 'multi-tasking team player with great communication skills'

Or we add generic job description language from the NOC or somewhere, so a baker 'uses machinery and equipment to mix flour, yeast and water' - wow, shocker

We then run through past jobs from most recent backwards, our lives are lived forwards but we run through them backwards,  encouraging even more of a focus on the past

The most recent job often has the most baggage, pain or sensitivity associated with it, so we sensitively start with that

When we get close to the foot of the page we stop adding information on previous work purely for reasons of space

We then say something weak such as 'put a couple of hobbies in here' showing little interest in these as the ghastly task is almost done

Then we add 'References available on request'

Often we'll have a final mess with the format to show we are skilled with computers

The Respectful Journey


Here's how this event can be handled, and it is an event, not an activity or a process, as events happen and then are done.

Start at the end, the foot, with 'Hobbies and Interests' and be interested in them, and what they say about the person.

Then help make a decision about the 'oldest' job to start with toward the foot of the page - conventional 'wisdom' says don't go back further than 10 years but this can often mean leaving out relevant and satisfying past work

Then move forwards, job by job, asking what was entailed what was enjoyable, what was learnt and discovered during that work. What talents were revealed, what skills employed, what self-knowledge was gained?

Or more practically and less 'employment-counsellery' what did the money earned allow you to do during that time?

It's fine to note what someone didn't like about their past work too - we don't need to be afraid of identifying both the best parts and the worst parts in each previous job

Then the most recent job is reached, and we need to be especially gentle. Since it was the most previous work, its loss, for whatever reason, led to the unemployed state of the person in front of us. This was the cause of the present state, and as such is a powerful pivotal point in the journey.

'I thought is was a good fit but...' 'It seemed secure and then 80 of us were laid off', 'The new boss just didn't like me...' 'It was time to move on and I thought I'd get something right away...'

These phrases offer an opportunity to open a dialogue about the loss.

Then the list of previous work is complete and the focus turns to the future, which is where the 'Highlights' come into play and are best stimulated by a seemingly simple question

'What parts of you and your talents and your personality would you like to use in your next job.'

This question gets to the core of ambition, desire and, essentially, expression of one's self. Contrary to the usual list of qualities we believe an unknown, imagined employer might find attractive in us, this group of qualities begin to separate us from others.

If the resume's owner likes to work by themselves, prefers to be quietly left alone to do their work, and is a solid introvert, for goodness sake don't add 'multi-tasking team player with great communication skills' because guess what, they will be hired with the assumption that they are a 'multi-tasking team player with great communication skills' but they are not, and they will suffer hugely if expected to behave like one..

It is extremely disrespectful, and morally dubious, to throw in talents, aptitudes and preferences purely to satisfy an imagined employers imagined 'wishlist'. As we identified earlier, at worst in can result in being hired for attributes you don't have, don't like or don't want to make use of.

As always it's a little like dating; we may say we like reading, long nature walks meditating and yoga to seem attractive, but if the truth is bars, beer and barbiturates, it's really not going to work is it?

Break the buzzword tyranny, select fresh adjectives; you are telling someone what you want them to know about you, not what you guess they might wish to hear.

Still stuck at that awful bulleted list of highlights? Pick a favourite musician or actor - what would you like them to know about you? Keep it sort of clean...!

Stephen

Arcane rules prevent would-be performance venues from becoming viable, councillor says
 
By Randy Shore, Vancouver SunMay 1, 2009
 
 
Save On Meats at 34 West Hastings in Vancouver was to be developed into a gallery but the plan has proven too expensive.
 
Save On Meats at 34 West Hastings in Vancouver was to be developed into a gallery but the plan has proven too expensive.
Photograph by: Ian Smith, Vancouver Sun, Vancouver Sun

The city will take a first step next week toward lowering the barriers faced by artists and small venue operators with an eye toward creating more performance spaces in the city.

Under the city's bylaws, changing the use of a building to open a gallery, an eatery or a boite triggers a whole mess of required upgrades to meet fire and seismic codes.

Add to that a punishing property tax regime and layers of licensing rules, and creating a profitable performance venue is almost insurmountably difficult

"I have one space in Vancouver with a rent of $700 a month and a property tax bill of $1,500 a month," said Vancouver entrepreneur David Duprey, who operates several buildings with gallery and artist space.

The average income for a working artist in Canada is less than $25,000.

A seismic upgrade that Duprey had been considered to revitalize the former home of Save-On-Meats would have run into hundreds of thousands of dollars.

The math is more than challenging and it's one of the reasons that so many buildings in the Downtown Eastside have been boarded up for years, he said.

Duprey operates several buildings and a restaurant, mainly in ground-level storefronts with artist studios occupying the remaining space in the building.

Parties and performances help draw customers, but arcane rules often prevent owners and operators from staging events.

On Tuesday, Coun. Heather Deal will bring a motion to council, proposing the creation of a working group to advise council on various ways to lower the bureaucratic and taxation barriers and to change the liquor bylaws and special occasion licences, which can often be the difference between setting up a profitable new venueor putting some more plywood on the windows.

Obviously there are base levels of safety that have to be maintained, Deal said.

"But we have rules now that don't allow more than two people to perform at cafe-galleries or restaurants and we have to break down those barriers and stop treating these spaces like they are all such different things," said Deal.

The city is in year one of a 10-year plan to develop a more vibrant culture industry in Vancouver and job one is making sure artists and performers have studio and performance space.

A two-day workshop that was held in March was the first step toward arming the culture community with the tools needed to navigate the complexities of project development and the bureaucracy.

"It's incredibly difficult to go through the process with the city and most artists just won't go through it," Duprey said.

"If you have a 30- or 40-year-old retail space that people are working in right now and you want to change the usage to say a gallery, it suddenly means you have to bring everything up to 2009 standards."

"Heather is really on to something here," he said.

"If we can lower those barriers, it will really make a difference in neighbourhoods like the Downtown Eastside, where we have a lot of boarded-up buildings."

rshore@vancouversun.com
© Copyright (c) The Vancouver Sun
 
 
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Save On Meats at 34 West Hastings in Vancouver was to be developed into a gallery but the plan has proven too expensive.
Photograph by: Ian Smith, Vancouver Sun