Bailout Bitter - right in so many ways

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From the wonderfully current people at Howe Sound Brewery in Squamish, comes Bailout Bitter.

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'A bitter ale for bitter times.' The full spirit of this wondrously timed ironic creation is amplified in this press release from the company.

As long as we have our sense of humour intact we have a chance.

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'...with recession-fighting properties...'

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Donate phones to Fearless to help Vancouver downtown eastside artists and residents

Donate your old mobile phones to help DTES artists share stories, and tap into life, jobs & family

How can you help?

  1. Your used mobile phones - preferably with video, camera, wi-fi
  2. Cash donations (* tax deductible) or new phone donations
  3. Conversation - tell your friend on your blog, twitter, etc. - post a badge

Action Plan:
First, Gather phones!

Collect all the un-used mobile phones at your office and home - dig into your boxes of stuff, ask you friends! Digital cameras gratefully accepted too.

Next, Arrange Pick-up:

  • Let us know via Twitter: Fearless City, email: info (at) fearlessmedia (dot) ca, Phone/SMS: 604.644.4349, Voice mail: 604.682.3269 xt 8320
  • We'll come by on purple Yahoo bikes on Tues. Dec. 23rd & 30th to collect your devices
  • We'll take your photo, bring treats, and thank you publicly with a link

Or, Drop-off (after Tuesday, 23rd) at:

Want to be a drop-off point? Let us know.


More can be found here on the Fearless City site

And here on Twitter

Streaming Video from the Downtown Eastside

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Live blogging.....refresh the page to see latest comments......

Sunday
4:05 So I'm seeing a guitarist, a (probably) first nations older man, and a younger guy in black - context/ description needed

4:10 Sound on guitarist good, young man cuts out, older man very big gaps

4:15 Younger man in black seems to be talking about turning his life around

4;15 Older man discussing priorities in Vancouver - global versus local - sound still cuts out a lot

4:16 Younger man - sync is out sound/image

4: 16 Guitarist very pixelated - talking instead of playing now

4:40 Young man sound out, guitarist good sound and images, older man stopped at 3 minutes or so??

4:48 April putting pictures in context - v.good - dusk, views of north shore mountains etc

Fearless City Mobile
November 10-16 Workshop Reminder

TONIGHT HEART OF THE CITY 4-5pm Online! and Ukrainian Hawks and Pender
If you're on the Internet from 4-5pm tonight, check out the live stream of
our Heart of the City interviews with Residents of the DTES at
<live.fearlessmedia.ca> or come down to the Ukrainian Hall at Pender and
Hawks for the closing evening of HOTC and the location of our mobile
screen.

MONDAY LIFE SKILLS EXPERIMENTAL VIDEO PRODUCTION CLASS 1-3pm at 410 E.
Cordova
If you are interested in learning how to use the N77 mobile video cameras,
please check out the Experimental Video Production class at Lifeskills
this Monday November 10th.

The Experimental Video Production class on Tuesday November 11 IS
CANCELLED due to Remembrance Day.

WEDNESDAY WORKSHOP 1-3pm at Lori Krill Co-op 65 W. Pender
Lorraine Murphy will be taking on from where Roland Tanglao left off with
her workshop: Web Community: International Websites, blogs & projects that
engage mobile phones in inner-city campaigns.

THURSDAY TUTORIAL AT LIFE SKILLS 1-3pm at 410 E. Cordova
Scott Nelson will be sitting an open tutorial from 1-3pm in the video
production lab at Lifeskills. First come first serve, with a 30min
tutorial limit when people are waiting for assistance. Come with your
questions about live streaming, blogging, using the Fearless City Mobile
website, using the N77 cameras, or downloading your material onto a hard
drive.

SATURDAY BLOGGING WORKSHOPS AT TRADEWORKS 10-2pm at 87 E. Pender
10-11:30am Fearless Blogging 101 11:30-12 open computer access and questions
12-1:30 pm Connecting With Your Community Online (resources, contacts, and
how you can use the Web to help make our community stronger)
1:30-2 open computer access and questions



Saturday

10:36 Hearing review of the event by the filmmakers - what went well and what didn't - how does one know when the stream is being streamed? And does/ should this affect what is being said and seen...........?

10:16am - thanks for the feedback in the UK - sound still fragile on stream 3

No stream 1 visible

10:08am - sound cutting out on stream 3

Stream 2 good colour and sound

Fearless City Mobile streams Live! @ Heart of the City Festival

Today, Saturday November 8, from 9:30am-10:30am, and from 7-8pm, Fearless
City Mobile teams will be simultaneously interviewing three residents of
the Downtown Eastside from three distinct locations. These interviews will
be live streamed online, and to our roving shopping cart screen which will
be located on the front steps of the Dominion Building from 9:30-10:30am
for Homelessness walk, and in front of the Russian Hall from 7-8pm prior
to Bruce the Musical Beginning.

To view these live streamed interviews visit live.fearlessmedia.ca . An
archive of these interviews will be posted on fearlesscity.ca shortly
afterwards.

We will also be broadcasting tomorrow, Sunday November 9 from 4-5pm at the
Ukrainian Hall! Hope you see you at one of these events, or online!

amy


Ryan Larkin - posthumous 'Spare Change' a final tribute

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New short film features work by renowned animator Ryan Larkin

MONTREAL -- Laurie Gordon had originally wanted acclaimed National Film Board animator Ryan Larkin to contribute a few drawings to the music video for her rock band Chiwawa.

What she ended up with was a good friend and a six-minute film that showcases some of the last work by Larkin, who died of lung cancer last year.

"Spare Change" will screen in Vancouver, Toronto, Quebec City and Sherbrooke, Que., on Friday and also open the Focus section on Sunday at Montreal's Festival du Nouveau Cinema.

The film, which was completed by Gordon and a team of young animators after Larkin's death, is a poetic - and surreal - trip through Larkin's imagination.

"I think he would have hoped it would have been his first in a new series," Gordon said wistfully over coffee at Larkin's favourite bar, sitting next to his regular chair.

The drawings, which range from beautiful charcoal renderings to the cartoonish, tell the story of Astral Pan, a panhandler who takes the viewer from the wintry streets of Montreal to hell and back and up to the gates of heaven, where there's a meeting with St. Peter.

Chiwawa's song "Do It For Me" is featured in the movie.

Larkin's voice is also heard in the film and several of his own paintings and character drawings appear.

"I also got some circa-1967 stuff that came to me, magically - flip books that he did," Gordon says.

Gordon approached Larkin after seeing a news report which profiled him after personal problems put his flourishing filmmaking career into a 25-year stall.

Tapped by NFB legend Norman McLaren as a shining new talent, Larkin enjoyed a meteoric rise at the film board with his work in the 1960s, capping it off with an Oscar nomination in 1969 for his film "Walking."

He left the film board in 1978 and ended up bumming change on the street. But he gained new attention as the subject of the animated short "Ryan" directed by Chris Landreth, who won an Oscar for the movie in 2005.

Gordon said she approached Ryan in 2002 as he panhandled on St-Laurent Boulevard and pitched her idea. He was interested.

"I gave him some music and he chose a song and he started to make a few drawings," Gordon said. "Things were slow moving. There was no big rush."

Until one of Larkin's buddies pressed them.

"It's Ryan's time," Gordon says the fellow panhandler told them.

"That gave us both a rush and a push and we really started to seriously conceive and think and meet regularly on this yet-to-be-named film," says Gordon, who owns MusiVision, a film and music production company.

"One day Ryan called me up and said, 'I got the name, I got the name. It's 'Spare Change."'

That added another dimension to the film, Gordon says with a smile.

"We were sitting right over there," she says indicating a table in the bar, which has Larkin's picture on the wall. "He said to me, 'Now that we're making a movie together, we're going to need official titles. I'm the director and you're the producer'."

She made business cards.

"That was the beginning of hell and back but a good hell. It was a great ride for Ryan and I on many levels.

"It was wonderful. I really loved working with Ryan. I miss him a lot," she added, tears welling in her eyes.

She compared their friendship to that of a couple of mischievous teenagers and said a real connection developed. He was a diligent worker, she got the money together.

"He didn't boss people around," she said. "He didn't have time to boss people around."

The project took on added urgency when doctors discovered a small tumour on Larkin's lung in 2005. He was in generally good health aside from the tumour and Gordon got the impression he was comforted by the fact she had survived breast cancer.

Larkin came to live with Gordon and her husband in nearby St-Hyacinthe, Que., where he was cared for by them and her sister until he had to go into a hospice. He died a week later, just two hours after Gordon had left his bedside.

Larkin had been experiencing a comeback with the attention garnered by Landreth's film and had done some work for MTV. When "Spare Change" is shown at the Montreal Festival du Nouveau Cinema, it will open for Adrian Wills' "All Together Now."

That documentary tells the story behind the collaboration between the Beatles and Cirque du soleil that resulted in the creation and 2006 launch of the "Love" stage production which launched in 2006.

Gordon says the lyrical "Spare Change" is a fitting tribute to Larkin, who always insisted he didn't want to be remembered for his past.

"He was always looking to the future."

The site is here: Virtual Vigil

A project long in the making using streaming video of projections in London UK and across Canada putting up the name of every one of the 68,000 Canadians killed in the First World War.

Exploiting the time difference the project begins in London where each name will be featured for 8 seconds, then moved to a faded section below for another 17 seconds. Every name will be featured in this way at each time zone across Canada. (I'm unable to find the live site for 'Pacific' at time of writing.)

If someone knows the name of a relative who was killed they can visit the site, enter the name and find the exact moment when their relatives name will be featured at each site.

The three creative parts of the project - the research and development, the technical projection and the web hardware and software are handled by the following:

R.H. Thompson

RH Thomson is one of Canada's foremost actors/directors has received numerous awards over his 30 year career. In 2001, RH Thomson wrote and performed a highly personal play, The Lost Boys, based on letters written home by his five great-uncles who fought in WWI. Its television version delivered his second Gemini Award.


Martin Conboy Lighting Design

Martin Conboy Lighting Design (MCLD) has been supplying lighting design services for over 20 years. MCLD approaches the craft of lighting with the conviction that good lighting should offer more than illumination.

Founded in 1986, MCLD has received numerous international awards for its work on projects of commercial, theatrical, institutional, urban and public character. Since the inception of the firm, Martin Conboy has encouraged his designers and associates to visualize the needs of an assignment without allowing presumptions of equipment to be a motivating force.


Ecentricarts Inc.

Ecentricarts Inc. is a web design and development company, which works on many arts, culture and education-based projects. This innovative studio is based in Toronto and has clients across Canada and internationally. Ecentricarts Inc. designed and built the online Vimy Vigil project and is honoured to be working on the 1914-1918 Vigil project. Visit www.ecentricarts.com for more information.


A controversial photograph depicting Vancouver's Gastown Riot goes on display in New York before settling into its Downtown Eastside home

From Thursday's Globe and Mail

VANCOUVER -- A controversial new artwork by Vancouver artist Stan Douglas goes on display today at the David Zwirner gallery in New York. The piece - Abbott & Cordova - depicts a scene from the 1971 Gastown Riot, an episode of Vancouver's history that members of the city's police force would rather not revisit.

The work is a scale version of a huge photograph (9 by 15 metres) due to be installed in June in the atrium of the redeveloped Woodward's building in Vancouver's troubled Downtown Eastside. Enclosed in glass, the piece shows police rounding up protesters, who were demonstrating against the use of undercover cops and for the legalization of marijuana.

News reports from the time state that police charged on horseback and beat the crowd with batons.

One eyewitness was quoted in The Globe and Mail saying the officers behaved with "almost a satanic arrogance."



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Sure it's good to do without plastic bags, but do we have to buy something extra and do we have to advertise for a company?

ClothBag.jpgLike hockey or football (soccer) supporters wearing team colours, hoards of shoppers making their way the 100 feet to and from car to supermarket carrying these nasty new addictions seem oblivious to the minute tokenism of their actions.

Time ticking on media-arts centre at Woodward's project

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By Jessica Werb

Final plans for W2, a 14,395-square-foot media-arts centre at the Woodward's project championed by Gallery Gachet executive director Irwin Oostindie, are in the city's hands.

But, according to Oostindie, city council must approve them before the November 15 civic election if he is to raise $2.6 million for finishing and operating costs for the facility to open by September 2009.

"They've pushed us back with a whole bunch of more questions," Oostindie said, referring to the W2 report submitted September 2. "They want a lot of detail from us, and we're a bit hamstrung because we're not able to embark on a fundraising campaign and identify our funders, because we're still waiting for city-council approval."

A proposal for W2, initially called the Centre for Creative Technology and Community Arts, was first submitted to the city in 2006, in response to a request for proposals from nonprofit groups for space in Woodward's.



Galleries stake out Downtown Eastside - new venues

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By Robin Laurence

Here's a familiar scenario. Artists band together to open exhibition spaces in low-rent urban areas. Gentrification creeps in. Landlords raise rents. Studios disappear. Galleries collapse.

Vancouver's Downtown Eastside is especially volatile, and artist-run centres such as Artspeak, Access, Centre A, Gallery Gachet, and the Helen Pitt Gallery, early stakeholders in and around the area, survive through dedicated boards and staff, energetic fundraising, and occasional grants. But what about the independent galleries, showing emerging artists and attempting commercial viability without subsidy? Here are three new or newish examples. They're some of the best of the Downtown Eastside--and slightly beyond.


Street sweeps displace homeless in Downtown Eastside

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From the Georgia Straight, original here:

On a covered sidewalk on West Cordova Street, where the smell of vomit and urine hangs in the air, Ken Foster talked about what it takes to push the boundaries of his art.

A homeless artist whose work is well known on Vancouver's Downtown Eastside, Foster paints on materials he picks up in alleys, like discarded construction signs.

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"I'll sell it for $6, maybe, and with that buy a can of paint," Foster related. "And so I end up doing 10 paintings before I finally get enough supplies to make one painting that is actually pushing a boundary of any sort, or furthering, you know what I mean, like, any sort of importance."

When the Georgia Straight caught up with the 37-year-old street artist, Foster's challenges were a lot greater. A Sharpie pen was all that was left of his possessions because of the recent street sweeps by city crews and the police on the Downtown Eastside.

"The last time, they threw out my wheelchair, $150 worth of paint, my backpack, my ID, and I don't own anything other than what you see right here," he said, showing the pen.

Foster recalled one incident. "They said, 'You have half an hour to get that cleaned up; get somebody to help you move it out of here,' " he said. "So I had gone. I came back 15 minutes later. It wasn't even half an hour. And they had thrown it all, and they're laughing at me."

And the police who accompanied the city crew? "They're laughing at me too," Foster said.